Curating

Writing

Speaking





BIOGRAPHY

Nie Xiaoyi is currently a Ph.D. candidate in Royal College of Art where she also acquired an MA in Curating Contemporary Art. Her research looks into how curating emerged in China in late 1990s within the global art scene and generally curating in transnational contexts. Her recent curatorial practice includes research exhibition ‘Metamorphosis: Art Practices Now Activating Archives and Public Memories’ (co-curator, OCAT Institute, 2018), nominator and curator for Jimei-Arles Discovery Award (Xiamen, China), online artistic project ‘One Reading The Views’ and ‘Itinerant Assembly’ (co-curator, Gasworks&RCA, 2017). She also contributes to Art Newspaper Chinese and Art World magazine for reviews and reports. 

聂小依,策展研究者、英国皇家艺术学院(Royal College of Art)博士候选人,在淄博、天津、北京和伦敦都有过长期生活的经验。研究兴趣总是根植在具体个案中,会把策展研究中有普遍性的问题带入到经验里检视,也会好奇对个案的重述会如何改变人们认知一个群体的轨迹。近期对“中国当代艺术”中被遮蔽的线索抱有兴趣,例如革命时代集体主义的遗产如何影响了后来的策展模式。做过一些艺术方面的报道和采访,但现在的写作中会更珍惜个人的日常生活,最近的一篇发表是对姥姥在淄川的小院子的回忆,收录于《Care(less)》(MA BIBLIOTHÈQUE, 2021)。目前和刘伟田和黄梓耘共同编辑线上刊物《歧路批评》,同时也在朋友们的帮助下组织着一个分享策展实践、知识和反思的松散社群策展研读会(Curating Interior)。与其他艺术家和策展人合作组织过一些艺术项目,比如艺术家钟嘉玲的作品《读风景的人》,和舞蹈剧场导演王梦凡、摄影师大壮、艺术家邓云在2017年集美阿尔勒摄影节的展览,也和刘张铂泷、胡昊一起通过对群展《重组/演绎:激活档案与公共记忆的当代艺术实践》的策划参与了2018年的OCAT研究型策展比赛。

Please contact for CV.