Talk · 2025 · 中文
Ecologies of Participation Public ForumEcologies of Participation 公共论坛
Invited to the closing public forum of Ecologies of Participation at CUHK, with Pak Sheung Chuen, Debbie Ding, Fung Junhua and others, to present my De Ying Fellowship research.
德英学者聂小依于2025年4月末受邀赴香港中文大学参加Ecologies of Participation组织的公共论坛,并呈现她在德英学者项目期间的研究。
Ecologies of Participation于2024年由香港中文大学的三位学者共同发起:艺术系助理教授严瑞芳(Yim Sui Fong)、建筑系研究助理教授姚凯琳(Melody Hoi Lam Yiu),以及文化研究系助理教授黃泳欣(Ashley Lee Wong)。Ecologies of Participation旨在通过实践导向的合作,探索创意艺术在社会中的作用。EoP 得到了香港中文大学人文学研究所和文学院的支持。
在过去一年中,EoP邀请来自香港本地与国际的学者与从业者举办了一系列专题讨论与方法工作坊,吸引了学术界、艺术界以及公众的广泛参与。
4月25日的总结活动以公众论坛的形式展开。论坛邀请了EoP的过往讲者及新嘉宾,共同探讨参与的理念与实践,以及跨越艺术、建筑与科技的实践型研究在东亚与东南亚地区所面临的机遇与挑战。公众论坛在香港中文大学举办,内容包括项目展示、圆桌讨论、项目原型演示,旨在整合并深化关于在城市空间中、科技驱动的参与式实践的概念框架。
与会者者包括印尼艺术团体 Lifepatch 的联合创办Agung Firmanto Budiharto(geger),新加坡艺术家Debbie Ding,“复本出版”与“玻璃屋计划”的发起人之一冯俊华,艺术家、作曲家与研究者池城亮(Ryo Ikeshiro),德英基金会策展学者聂小依,艺术家白双全,建筑师、写作者Federico Ruberto,专注于东亚与东南亚艺术的学者Minna Valjakka,香港中文大学艺术系教授Frank Vigneron,艺术家与研究者黄咏珊(Pat Wing Shan Wong / Flyingpig),建筑与城市设计师Tim Wong。

聂小依在分享研究

艺术家白双全在分享报告

晚间大家一起做项目分享

冯骏华在介绍如何由四五个个体生成、组合出数十个“单位”
4月26日,项目邀请了策展人黄嘉瀛(Wong Ka Ying)带领与会者前往即将在城市更新中消失的旺角花墟参观。

去往旺角花墟的路上,策展人黄嘉瀛在介绍太子道的历史

香港艺术家曾灶财目前在香港街头的唯一墨迹

旺角花墟
EoP项目将在未来出版结集,并建立起一个本地区志同道合的学者、实践者网络。
Machine translation (AI) of the Chinese original, not yet reviewed by the author. Please cite the original.
In late April 2025, De Ying Fellow Nie Xiaoyi was invited to The Chinese University of Hong Kong (CUHK) to take part in a public forum organised by Ecologies of Participation, where she presented research from her De Ying Curatorial Fellowship.
Ecologies of Participation was launched in 2024 by three CUHK scholars: Yim Sui Fong, Assistant Professor of Fine Arts; Melody Hoi-lam Yiu, Research Assistant Professor of Architecture; and Ashley Lee Wong, Assistant Professor of Cultural Studies. Ecologies of Participation sets out to explore the role of the creative arts in society through practice-led collaboration. EoP is supported by CUHK’s Research Institute for the Humanities and Faculty of Arts.
Over the past year, EoP has invited local and international scholars and practitioners to a series of thematic discussions and methods workshops, drawing wide participation from academia, the art world and the public.
The closing event on 25 April took the form of a public forum. It brought together past EoP speakers and new guests to discuss the ideas and practice of participation, and the opportunities and challenges facing practice-based research across art, architecture and technology in East and Southeast Asia. Held at CUHK, the forum included project presentations, a roundtable discussion and demonstrations of project prototypes, with the aim of consolidating and deepening a conceptual framework for technology-driven participatory practice in urban space.
Participants included Agung Firmanto Budiharto (Geger), co-founder of the Indonesian art collective Lifepatch; the Singaporean artist Debbie Ding; Fung Junhua, one of the initiators of the publishing project Fuben (复本出版) and the Glass House Project (玻璃屋计划); the artist, composer and researcher Ryo Ikeshiro; Nie Xiaoyi, De Ying Foundation Curatorial Fellow; the artist Pak Sheung Chuen; the architect and writer Federico Ruberto; Minna Valjakka, a scholar specialising in the art of East and Southeast Asia; Frank Vigneron, Professor of Fine Arts at CUHK; the artist and researcher Pat Wing Shan Wong (Flyingpig); and the architectural and urban designer Tim Wong.

Nie Xiaoyi presenting her research

The artist Pak Sheung Chuen giving his presentation

Sharing projects together in the evening

Fung Junhua explaining how four or five individuals can generate and combine into dozens of “units”
On 26 April, the programme invited the curator Wong Ka Ying to lead participants on a visit to the Mong Kok Flower Market, which is set to disappear through urban redevelopment.

On the way to the Mong Kok Flower Market, the curator Wong Ka Ying talks about the history of Prince Edward Road

The only remaining piece of ink calligraphy by the Hong Kong artist Tsang Tsou-choi (the “King of Kowloon”) still on the city’s streets

The Mong Kok Flower Market
The EoP project will publish a collected volume in the future and build a network of like-minded scholars and practitioners in the region.